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Paradox and provocation were essential features of all of the work of Alfred Jarry (1873-1907). His non-conformist attitude, whether employed to subvert literary or artistic conventions or to scrutinize social and political issues, marked both his literary writing and his view of the world.
Women, Genre and Circumstance brings together a series of challenging essays which explore the complex intersections of feminism, narrative and genre.
Writing in 1926, Carlo Emilio Gadda (1893-1973) acknowledges his peculiarity within the Italian literary field by describing himself as a giraffe or a kangaroo in Italys beautiful garden of literature.
Tirso de Molina's Marta the Divine (c. 1614-15) is a spirited comedy about an ingenious young woman who fakes religious piety in order to avoid an arranged marriage imposed upon her by her father.
Tirso de Molina's Jealous of Herself (c. 1622-23) is an ingenious comedy of disguise and deception, set in the streets, plazas and fashionable apartments of early 17th-century Madrid.
Fernando Pessoa (1888-1935) is Portugal's most celebrated poet of the twentieth century, who wrote under the guise of dozens of literary personalities, or heteronyms.
A revaluation of the vast and vastly varied work of G.K. Chesterton through a literary reading of his philosophy, and a philosophical reading of his fiction. Novelist, essayist, poet, playwright, historian, journalist, Christian apologist, literary and social critic, G.K.
The work s of James Joyce have long been regarded as central to European modernism. It is also clear what a continuing provocation and source of renewal Joyce’s works are for contemporary cultural theory, especially feminism, post modernism and postcolonialism.
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