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The Middle Notebookes began in French, as three carnets, written in keeping with three stages of an illness: an onset and remission, a recurrence and further recurrence, a death and the after of that death. But the narrative only became evident subsequently; the malady identified by these texts was foremost a literary one, fastened to a body whose concealment had become, not only untenable, but perhaps, in a sense, murderous. It is possible, then, that more than anything, these Notebookes attest both to the commitment, and the eventual, though unlikely, prevention of, a murder.
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