Advances in Digital Scholarly Editing: Papers presented at the DiXiT conferences in The Hague, Cologne, and Antwerp [Paperback]

Peter Boot (Editor); Anna Cappellotto (Editor); Wout Dillen (Editor); Franz Fischer (Editor); Aodhán Kelly (Editor)

£65.00
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ISBN: 9789088904837 | Published by: Sidestone Press | Year of Publication: 2017 | Language: English 385p, H257 x W182 (mm) 113fc




Advances in Digital Scholarly Editing

Details

As the papers in this volume testify, digital scholarly editing is a vibrant practice. Scholarly editing has a long-standing tradition in the humanities. It is of crucial importance within disciplines such as literary studies, philology, history, philosophy, library and information science, and bibliography. In fact, digital scholarly editing represents one of the longest traditions in the field of Digital Humanities — and the theories, concepts, and practices that were designed for editing in a digital environment have in turn deeply influenced the development of Digital Humanities as a discipline. By bringing together the extended abstracts from three conferences organised within the DiXiT project (2013-2017), this volume shows how digital scholarly editing is still developing and constantly redefining itself.
 
DiXiT (Digital Scholarly Editing Initial Training) is one of the most innovative training networks for a new generation of scholars in the field of digital scholarly editing, established by ten European leading institutions from academia, in close collaboration with the private sector and cultural heritage institutions, and funded under the EU’s Marie Skłodowska-Curie Actions. The partners together represent a wide variety of technologies and approaches to European digital scholarly editing.
 
The extended abstracts of the convention contributions assembled in this volume showcase the multiplicity of subjects dealt with in and around the topics of digital editing: from issues of sustainability to changes in publications cultures, from the integrity of research and intellectual rights to mixed methods applied to digital editing—to name only a few.

Table of Contents

Andreas Speer, Welcome
Arianna Ciula, Gregory Crane, Hans Walter Gabler, Espen Ore, Preface
Peter Boot, Franz Fischer, Dirk van Hulle, Introduction
 
List of beneficiaries
List of DiXiT fellows
Acknowledgements
 
Part 1: Theory, Practice, Methods
 
Francisco Javier Álvarez Carbajal, Towards a TEI model for the encoding of diplomatic charters: The charters of the County of Luna at the end of the Middle Ages
 
Mateusz Antoniuk, The Uncommon Literary Draft and its Editorial Representation
 
Gioele Barabucci, Franz Fischer, The formalization of textual criticism: bridging the gap between automated collation and edited critical texts
 
Gioele Barabucci, Elena Spadini, Magdalena Turska, Data vs Presentation. What is the core of a Scholarly Digital Edition?
 
Elli Bleeker, Modelling process and the process of modelling: the genesis of a modern literary Text
 
Christine Blondel, Marco Segala, Towards open, multi-source, and multi-authors digital scholarly editions. The Ampère platform.
 
Ben Brumfield, Accidental editors
 
Fabio Ciotti, Toward a new realism for digital textuality
 
Arianna Ciula, Modelling Textuality: A Material Culture Framework
 
Claire Clivaz, Multimodal Literacies and Continuous Data Publishing: une question de rythme
 
Isabel de la Cruz-Cabanillas, Editing the Medical Recipes in the Glasgow University Library Ferguson Collection
 
Richard Cunningham, Theorizing a Digital Scholarly Edition of Paradise Lost
 
Tom De Keyser, Vincent Neyt, Mark Nixon, Dirk van Hulle, The Digital Libraries of James Joyce and Samuel Beckett
 
Paul Eggert, The archival impulse and the editorial impulse
 
Ulrike Henny, Pedro Sepúlveda, Pessoa’s editorial projects and publications: the digital edition as a multiple form of textual criticism
 
Maurizio Lana et al, “…but what should I put in a digital apparatus?” A not-so-obvious choice. New types of digital scholarly editions
 
Caroline Macé, Critical editions and the digital medium
 
Chaim Milikowsky, Scholarly Editions of Three Rabbinic Texts One Critical and Two Digital
 
Sara Norja, From manuscript to digital edition: The challenges of editing early English alchemical texts
 
Chiara Palladino, Towards a digital edition of the Minor Greek Geographers
 
Elsa Pereira, Challenges of a digital approach: considerations for an edition of Pedro Homem de Mello’s poetry
 
Thorsten Ries, Hands-on Workshop: The Born Digital Record of the Writing Process. Discussing Concepts of Representation for the DSE
 
Mehdy Sedaghat Payam, Digital Editions and Materiality, a Media-specific Analysis of the First and the Last Edition of Michael Joyce’s Afternoon
 
Peter Shillingsburg, Enduring Distinctions in Textual Studies
 
Alex Speed Kjeldsen, Reproducible Editions
 
Andreas Speer, Blind Spots of Digital Editions: The Case of Huge Text Corpora in Philosophy, Theology and the History of Sciences
 
Linda Spinazzè, Richard Hadden, Misha Broughton, Data Driven Editing: Materials, Product, and Analysis
 
Katrhyn Sutherland, Making Copies
 
Georgy Vekshin, Ekaterina Khomyakova, The Videotext Project: Solutions for the New Age of Digital Genetic Reading
 
Klaus Wachtel, A Stemmatological Approach in Editing the Greek New Testament: The Coherence-Based Genealogical Method
 
Part 2: Technology, Standards, Software
 
Tara Andrews, What We Talk About When We Talk About Collation
 
Dániel Balogh, The Growing Pains of an Indic Epigraphic Corpus
 
Elli Bleeker, Bram Buitendijk, Ronald Haentjens Dekker, Vincent Neyt and Dirk van Hulle, The Challenges of Automated Collation of Manuscripts
 
Federico Boschetti, Riccardo Del Gratta, Angelo Del Grosso, The role of digital scholarly editors in the design of components for cooperative philology
 
Stefan Budenbender, Inventorying, transcribing, collating: basic components of a virtual platform for scholarly editing, developed for the Historical-Critical Schnitzler Edition
 
Mathias Coeckelbergs, Seth van Hooland and Pierre Van Hecke, Combining Topic Modeling and Fuzzy Matching Techniques to Build Bridges between Primary and Secondary Source Materials. A Test Case from the King James Version Bible
 
Angelo Mario Del Grosso, Emiliano Giovannetti, Simone Marchi, The Importance of Being… Object-Oriented: Old Means for New Perspectives in Digital Textual Scholarship
 
Chiara Di Pietro, Roberto Rosselli Del Turco, Edition Visualization Technology 2.0: affordable DSE publishing, support for critical editions, and more
 
Vera Faßhauer, Multi-Level Annotation, Analysis and Edition of a Historical Text Corpus: Private Ducal Correspondences in Early Modern Germany
 
Jiří Flaišman, Michal Kosák and Jakub Říha, Hybrid Scholarly Edition and the Visualization of Textual Variants
 
Costanza Giannaccini, Burckhardtsource.org: where Scholarly Edition and Semantic Digital Library meet
 
Elena González-Blanco et al, Evi-Linhd, A Virtual Research Environment For Digital Scholarly Editing
 
Charles Li, Critical diplomatic editing. Applying text-critical principles as algorithms
 
Frederike Neuber, St-G and DIN 16518, or: requirements on type classification in the Stefan George edition
 
Elisa Nury, Visualizing Collation Results
 
Dirk Roorda, The Hebrew Bible as Data: Text and Annotations
 
Felicia Roșu, Full Dublin-Core Jacket: The Constraints and Rewards of Managing a Growing Collection of Sources on Omeka.net
 
Daniela Schulz, Of general and homemade encoding problems
 
Elena Spadini, The role of the base manuscript in the collation of medieval texts
 
Tuomo Toljamo, A Tailored Approach to Digitally Access and Prepare the 1740 Dutch Resolutions of the States General
 
Tuomo Toljamo, Editorial Tools and their Development as a Mode of Mediated Interaction
 
Magdalena Turska, TEI Simple Processing Model
 
Part 3: Academia, Cultural Heritage, Society
 
Hilde Boe, Edvard Munch’s Writings. Experiences From Digitising The Museum
 
Misha Broughton, Crowdfunding the Digital ScholarlyEdition: Webcomics, Tip Jars, and a Bowl of Potato Salad
 
Jan Burgers, Editing medieval charters in the digital age
 
Federico Caria, What the people do with, around (and at the centre) of the digital editions
 
Wout Dillen, Editing Copyrighted Materials: On Sharing What You Can
 
Wout Dillen, What You C(apture) Is What You Get. Authenticity and Quality Control in Digitization Practices
 
Till Grallert, The journal al-Muqtabas between Shamela.ws, HathiTrust, and GitHub: producing open, collaborative, and fully-referencable digital editions of early Arabic periodicals—with almost no funds
 
Leo Jansen, Digital editions of artists’ writings: first Van Gogh, then Mondrian
 
Aodhán Kelly, Digital editing: valorisation and diverse audiences
 
Aodhán Kelly, Social responsibilities in digital editing – DiXiT Panel: ‘Editing and Society: Cultural considerations for construction, dissemination and preservation of editions’
 
Merisa Martinez, Documenting the digital edition on film
 
Katerina Michalopoulou, Antonis Touloumis, Digital Rockaby
 
Daniel Powell, Towards a definition of “the social” in knowledge work
 
Anna-Maria Sichani, Beyond Open Access: (re)use, impact and the ethos of openness in digital editing
 
Anna-Maria Sichani, The business logic of digital scholarly editing and the economics of scholarly publishing
 
Ray Siemens et al, The Social Edition in the Context of Open Social Scholarship: The Case of the Devonshire Manuscript (BL Add Ms 17,492)
 
Bartłomiej Szleszyński, Nowa Panorama Literatury Polskiej (New Panorama of Polish Literature) – how to present knowledge on the Internet (Polish specifics of the issue)

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