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In this study of the work of Jorge Guillén (1893-1984), an important twentieth-century Spanish poet, Dr Matthews argues that his vision of the world as an ordered harmonious unity is echoed in the structural symmetry of his work. Close analysis of twelve long poems, forming ideological and structural pillars of the Cántico and Clamor volumes, reveals the intricacies of Guillén's mimesis of cosmic harmony. The first English translations of the twelve poems appear in an appendix.
