Details
In this fascinating book, Foster and Jones draw on extensive interdisciplinary research to reveal the composite biography of the St John’s Cross, its concrete replica, and its many other scale copies. They show that replicas can acquire rich forms of authenticity and value, informed by social relations, craft practices, creativity, place and materiality. Thus, the book challenges traditional precepts that seek authenticity in qualities intrinsic to original historic objects. Replicas are shown to be important objects in their own right, with their own creative, human histories - biographies that people can connect with. The story of the St John’s Cross celebrates how replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.
Table of Contents
Reviews & Quotes
"The book is well-served by its integral appendices, bibliography and index and online by extensive 3-D imagery on Sketchfab. It makes a great addition to the libraries of all early medieval sculpture enthusiasts and Ionaphiles."
Mark Hall
Archaeology Scotland Magazine
(06/10/2020)
"…a very densely packed, many-facetted, thought-provoking book. It is well worth taking time to read and ponder over."
Sheila Hainey
Pictish Arts Society
(27/08/2020)
"I really can’t say how much I enjoyed your wonderful book. I’ve already told my colleagues in my Team that it’s required reading because it will change people’s perspective, not just on replicas of course, but on community engagement, conservation, preservation of ruins, and restoration."
Ranald McInnes
Historic Environment Scotland
(29/12/2020)
"...certainly an addition to our knowledge of what has been written previously about Iona, and there are also many fine photographs… "
Rosemary Power
Folklore Society
"...promotes a much deeper understanding of replicas' important role in object biographies, contemporary place-making and identities. Furthermore, it is a nice example of community archaeology which will be of interest to both archaeologists and heritage specialists."
Neil Christie
Medieval Archaeology
(12/10/2021)
"The authors have done great service not simply to Iona, its people and those who admire the island, but to the global community of those who strive to achieve the best outcome for the built heritage."
Aonghus Mackechnie
Innes Review
(17/05/2021)
"The publication's carefully considered discussions are a complemented by a selection of wonderful images, offering a rich visual journey that places the Cross in the context of the local landscape and community, as well as within wider discussions about the place of sculptures and replicas."
Amy Brunskill
Current Archaeology
(03/12/2020)