Details
A collection of Professor Grube's essays on Islamic paintings of the late 14th and 15th century in the Timurid empire and Ottoman Turkey. This is a new revised edition of the 1968 exhibition catalogue The Classical Style of Islamic Painting , which has substantially widened its focus and time span.
Table of Contents
Timurid Painting: Studien zur Malerei der Timuriden, I: Zur Frühstufe von Herat
Two Kalilah wa Dimnah Codices made for Baysunghur Mirza: The Concept of the 'Classical Style' Reconsidered
The Classical Style in Islamic Painting. The Early School of Herat and its Impact on Islamic Painting in the late 15th, the 16th and the 17th Centuries
The Spencer and the Gulestan Shah-namah
Ottoman Painting The Date of the Venice Iskandar-nama
Two Paintings in a Copy of the Sulayman-nama in the Chester Beatty Library
Some Observations Concerning the Ottoman Illustrated Manuscripts of the Kalilah wa Dimnah
Ali Celebi's Humayun-name
Four Pages from a Turkish 16th-century Shah-nama in the collection of the Metropolitan Museum of Art in New York
Additional Notes
Index
Two Kalilah wa Dimnah Codices made for Baysunghur Mirza: The Concept of the 'Classical Style' Reconsidered
The Classical Style in Islamic Painting. The Early School of Herat and its Impact on Islamic Painting in the late 15th, the 16th and the 17th Centuries
The Spencer and the Gulestan Shah-namah
Ottoman Painting The Date of the Venice Iskandar-nama
Two Paintings in a Copy of the Sulayman-nama in the Chester Beatty Library
Some Observations Concerning the Ottoman Illustrated Manuscripts of the Kalilah wa Dimnah
Ali Celebi's Humayun-name
Four Pages from a Turkish 16th-century Shah-nama in the collection of the Metropolitan Museum of Art in New York
Additional Notes
Index
