Details
Fifteenth-century Florence is generally considered the cradle of the modern architect. There, for the first time since Antiquity, the Vitruvian concept which distinguishes between builder and designer was recognised in architectural theory, causing a fundamental rupture in architectural practice. In this well-established narrative Northern Europe only followed a century later when, along with the diffusion of Italian treatises and the introduction of the all’antica style, a new type of architect began to replace traditional gothic masters. However, historiography has largely overlooked the important transformations in building organisation that laid the foundations for our modern architectural production, such as the advent of affluent contractors, public tenders, and specialised architectural designers, all of which happened in fifteenth-century Northern Europe. Drawing on a wealth of new source material from the Low Countries, this book offers a new approach to the transition from the Middle Ages to the Early Modern Period by providing an alternative interpretation to the predominantly Italo-centric perspective of the current literature, and its concomitant focus on style and on Vitruvian theory.
Table of Contents
Introduction
Professionalisation in the nineteenth and early twentieth centuries and the ideal of the architect
Economics and the position of the architect
Design and construction
Different sources, methods and approaches
Approach and structure of the book
Chapter 1. The liberty to design
Defining the architect
Designs for different media
Liberal arts and the guilds’ monopoly
Patrons and guild authority
Constelyk gemaickt, artistic quality as a licence
Chapter 2. Urban building boom
Urbanisation in the Low Countries
City walls
City churches
Trade halls and town halls
Princely residences
Urban architectural rivalry
Chapter 3. The stone trade
The need for stone
Contracting building works
Benefits of the market
Expanding markets
Innovations in the production process
Managing the stone trade
Chapter 4. Quarrying at Brussels
Stones and quarries
Commercial importance and stone politics
Brussels entrepreneurs in stone: Godevaert de Bosschere and Lodewijk van Boghem
Chapter 5. Profession of the architect
Background and training
Changing conditions of employment
Evert Spoorwater and Rombout Keldermans
Undermasters and methods of communication
Engineer, manager, designer
Chapter 6. Communicating the design
The drawing as planning instrument
Innovations in architectural representation
The design in words
Chapter 7. Strategies for ‘prefab’ architecture
Plain architecture by prominent architects
Repeated designs
Conclusion
Epilogue
Appendices
1. Money and measurements
2. Projects by Evert Spoorwater, sources of table 5.1
3. Projects by Rombout Keldermans, sources of table 5.2