Antiquarianisms

Contact, Conflict, Comparison

Edited by Benjamin Anderson and Felipe Rojas

Series: Joukowsky Institute Publication

Imprint: Oxbow Books

232 Pages, 155 x 234 mm

£35.00
Paperback
9781785706844
May 2017

North America

UK & Rest of World

BUY

Also available digitally:

Amazon

Apple

Barnes & Noble

Google

Oxbow Books will earn a small commission if you buy an ebook after clicking a link here.

Description
Authors
Praise

Antiquarianism and collecting have been associated intimately with European imperial and colonial enterprises, although both existed long before the early modern period and both were (and continue to be) practiced in places other than Europe. Scholars have made significant progress in the documentation and analysis of indigenous antiquarian traditions, but the clear-cut distinction between “indigenous” and “colonial” archaeologies has obscured the intense and dynamic interaction between these seemingly different endeavours. This book concerns the divide between local and foreign antiquarianisms focusing on case studies drawn primarily from the Mediterranean and the Americas. Both regions host robust pre-modern antiquarian traditions that have continued to develop during periods of colonialism. In both regions, moreover, colonial encounters have been mediated by the antiquarian practices and preferences of European elites. The two regions also exhibit salient differences. For example, Europeans claimed the “antiquities” of the eastern Mediterranean as part of their own, “classical,” heritage, whereas they perceived those of the Americas as essentially alien, even as they attempted to understand them by analogy to the classical world. These basic points of comparison and contrast provide a framework for conjoint analysis of the emergence of hybrid or cross-bred antiquarianisms. Rather than assuming that interest in antiquity is a human universal, this book explores the circumstances under which the past itself is produced and transformed through encounters between antiquarian traditions over common objects of interpretation.

Benjamin Anderson (Assistant Professor of History of Art and Visual Studies, Cornell University) studies the visual and material cultures of the eastern Mediterranean, with a focus on late antiquity and Byzantium. A monograph, Cosmos and Community in Early Medieval Art is forthcoming from Yale University Press in 2017.

Felipe Rojas (Assistant Professor of Archaeology, Brown University) has conducted archaeological fieldwork in the Eastern Mediterranean at various sites including Aphrodisias, Sardis, and Petra. He is currently finishing a monograph about Greek, Roman and Byzantine interaction with the Bronze and Iron Age material culture of Anatolia.

"Antiquarianisms: Contact, Conflict, Comparison is an important contribution to the study of antiquarianism. It seeks to challenge and expand our understanding of the word, exploring and comparing antiquarian traditions at various points of time in different parts of the world. In addition to challenging what antiquarianism is, several essays also explore the role of anti-antiquarianism in certain societies. Primarily composed of papers from a symposium at Brown University in 2015 (“Antiquarianisms Across the Atlantic”), this volume is exceptionally organized..." ~Katherine A. P. Iselin, Bryn Mawr Classical Review

"[…] a collection of ten papers that approach the complex question of antiquarianism in a variety of ways." ~Antiquity

"...a demonstration of the historical dynamism within two discrete locales of antiquarian endeavour is very welcome, particularly as it underscores an important truth: that antiquarianism can provide a more conducive space to explore, in concert with people who are not specialists, the diverse connections between past and present." ~European Journal of Archaeology

"[W]ell-presented and enjoyable collection of essays... This book is a central contribution to the study of antiquarianism and contributes to the histories of naturalists, the history of archaeology as an emerging discipline, and the pedigrees of museum collections." ~History of Humanities, Volume 5.2 (Fall 2020)